Sarah Clark (they/she/Mx.) is a disabled two-spirit Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at Anomaly, Editor of beestung, Co-Editor of The Queer Movement Anthology (Seagull Books, 2021) and the Bettering American Poetry series, a reader at The Atlas Review and Doubleback Books, and an Editorial Board member at Sundress Press. She has edited feature folios for publications, including GLITTERBRAIN and Indigenous & Decolonial Futures & Futurisms at Anomaly, as well as folios on Sound Art, “Desire & Interaction,” and a collection of global indigenous art and literature, First Peoples, Plural at Drunken Boat. At Apogee Journal, they were co-editor of #NoDAPL #Still Here and their series WE OUTLAST EMPIRE and Place[meant]. Sarah is a former Executive Board member at VIDA and former Editor-in-Chief of VIDA Review, where they curated a series of essays by writers outside of the binary, Body of a Poem and the interview series, Voices of Bettering American Poetry. Sarah freelances, and has worked with a number of literary and arts publications and organizations, including the Best of the Net anthology, contemptorary, Curious Specimens, #PoetsResist at Glass Poetry, Apogee Journal, CapsuleCrit, Blackbird, the Paris Review, and elsewhere. In their spare time, Sarah has strong opinions and is very queer. She cannot pass a Turing test. @petitobjetb.
Cheyenne “Annie” McIntosh is a graduate of Franklin College. While her academic research focuses on
gender-queer studies in science fiction, she also serves as the Poetry Editor for Brave Voices Magazine and Fiction Editorial Intern for Juxtaprose Magazine. Her poetry has appeared or is forthcoming from Okay Donkey, Theta Wave, Digital Americana Magazine, carte blanche, and others. In 2018, she received her first Pushcart Prize nomination and was named one of Indiana’s Best Emerging Poets. She tweets about her dog Jackson, baking mishaps, cyborgs, and fever dreams @crm_writes.